Curren$y’s newest video, which can be viewed here, is “She Don’t Want a Man” from his upcoming album Weekend at Bernie’s. The album is set to release on June 28. Pre-order the album best college essays on Curren$y’s official website. -Grant D. Waring @grantdwaring
Big Sean dropped his “I Do It” music video Tuesday in anticipation of his debut album release on June 28.
He will be touring through Texas on Wiz Khalifa’s Rolling Papers World Tour this summer starting with Dallas on July 2.
Purchase tickets here.
-Grant D. Waring
Big K.R.I.T. dropped Return Of 4eva this past Monday and fresh off that release graced Austin with his presence.
“They show love, man. It’s definitely an organic vibe every time I’m in Austin,” said K.R.I.T., the rapper and producer from Meridian, Mississippi.
K.R.I.T. produces his music himself. He’s been Tweeting about the #ReturnOf4Eva movement and explained it as “creating southern hip-hop in a way that I remember it and I loved it growing up and kind of reintroducing it to the newer generation that might not know about it and reminding the older generation that grew up on the same music.”
“It’s definitely trying to Make timeless music, make quality over quantity and make music that has subject matter in content,” said K.R.I.T.
K.R.I.T hit the stage that night and performed his set which included coming on and running straight to the front of the stage with Big Sant to perform “Return of 4eva” which led right into “R4 theme song.” His DJ mixed in David Banner’s “Like a Pimp” during “Country Shit” and K.R.I.T. proceeded to jump into the crowd. His full set is listed below.
After he jumped into the crowd he concluded the set with an a cappella performance of the third verse from “Dreamin’” and following this his last words before leaving stage, completely out of breath, were “Hey, Austin. I appreciate the love.”
Return of 4eva (Feat. Big Sant)
R4 Theme Song
Moon and Stars Remix
Made a Lot (Feat. Big Sant)
Children of the World
Download K.R.I.T.’s new mixtape Return of 4Eva here.
-Grant D. Waring
Scoremore took a different approach to the SXSW conference.
Instead of doing showcases all week, they finished this week of music mayhem with a show that included an interesting touch of cameo and a satisfying peak to the long journey that was SXSW. Although a full production like Kanye West’s Saturday night is an incredible experience, there’s just something about coming out to a field and going to see a band or artist that is up and coming in the industry. The Sunday Swagger event had a mix of music to end the week well for the people that attended.
The crowd slowly but steadily accumulated as the day started off with acts from Rockwell Knuckles, Grieves, PAC DIV, Freddie Gibbs and DJ NuMark. Macklemore and Ryan Lewis got the crowd into it just enough to get the day going and to let 12th Planet carry on, and he did just that. He crowd surfed, brought out Skrillex, who crowd surfed, and passed it on to Kendrick Lamar and School Boy Q. Q started out the set alone and Kendrick finished while performing a few songs with Q. Big Sean went on following Kendrick’s set and brought on guests Chip Tha Ripper and Wiz Khalifa. Sean performed his song “Five Bucks” with Chip and “Gang Bang” with Wiz. All of the artists made smooth and quick transitions from set to set. So as Big Sean left near dusk, Steve Aoki was ready to carry the crowd into the night. During his set he dropped Warp 1.9 and by the end of the show jumped off one of the highest speakers into the crowd. Following this set is when things got interesting.
The remaining two acts were moved to the Red 7 venue on Red River. After a while of setting up inside, the patient fans were let in and able to enjoy the end of Sunday Swagger. After a set from Chiddy Bang, Bun B performed. For the final song Bun brough out Wiz Khalifa, Big Sean and Trae to perform their song “Phone Numbers.” Bun concluded the night and most people’s SXSW with a goose-bump-inducing a capella sing-a-long to Pimp C’s verse in International Player’s Anthem which finished with Bun throwing his hat in the crowd.
Grant D. Waring